lauren barnett
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In a companion piece to my absorbing exploration of The Thames in the horror film, this essay explores how London and its underground system are deeply intertwined – in life and in cinema – from Quatermass and the Pit, and Death Line, to and apocalypse horror 28 Days Later, and beyond…
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Moving into autumn, I am happy to look back on a productive and quiet summer of writing and researching. In June my first poem was published in Door=Jar Magazine (Issue 7), and my ‘Beauty and Alienation in Medical Photography” paper came out in Journal of Visual Communication in Medicine. I also have done some peer-review work with Mortality journal. …
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Summer brings new publications – academic and creative – while working on children’s literature and helping artists apply for competition.
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New article, learning about the Wet Collodian process, and hunting for a literary agent for my picture book series.
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New Year begins with lectures, marriage, and book drafts.